Back in November, I had the opportunity to read one of my pieces in front of an audience! It was a great experience! Well thankfully, I will have a chance to do so again!
If you are in the South Bend area and would like to hear me read two of my short pieces on Tuesday, April 8th, along with other local writers, we would love to have you! From personal experience, I know that some of the other writers are phenomenal. The event starts at 7:30, but doors open at 7. It will be located at a building called LangLab, which is a converted furniture factory. The address is 1302 High Street, South Bend. The building is amazing, and I was lucky enough to get a tour the last time I was there.
As I started earlier, I will be reading 2 pieces. The first is a very short piece, Spin-out, which I wrote back in January after I nearly died. The other piece is an edited version of Haptic Malware, the piece I wrote in February. I realized that it would work better when told in 1st person.
I know it is short notice, but I only just found out that I was accepted! If you can make it, I would be honored. If not, know that I am still thrilled to be able to share my work with others!
For more info, check out their facebook page here.
Monday, March 31, 2014
Sunday, March 30, 2014
The Letters of Charles Bastian
I have been working on a short story for some time now, on and off for about 7 or 8 years. It is a piece of historical fiction which takes place in 1832 Carlisle. I cannot stress enough how much time, research, and spirit this piece has taken.
It all started off with a movie my brother and I watched in college, The Haunting (released in 1999). It was a terrible movie. Everything in it was awful, from the acting to the plot to the terribly computer graphics that the director thought we would find scary. What's worse, it is a remake of a 1963 movie which is massively superior (according to rottentomatoes.com, 86% versus the remake's 17%). Even the parts that had the potential to be scary ended up as either simple gore or bad cinematography.
Afterwards, we discussed how terrible it was, and how we would have improved it. I think we learned a lot about suspense and how to really scare the pants off someone just by bouncing ideas back and forth. And those ideas started to form into a story. It was crude at first, but we knew it would have something to do with death. Not simply people dying, but what happens afterwards, to the bodies. It probably didn't help that we'd seen a documentary not long before about the history of autopsies.
And that was it. It went nowhere for a while. Then I had to write a short story for a creative writing class and this one instantly popped into my mind. I stayed up all night (literally) and wrote the rough draft of the piece in one go because I simply could not get over it. What I realized was that using an unreliable narrator offered more potential for misleading and scaring the reader. It could give the reader that "AHA!" moment, kind of like when you're watching a mystery and you solve it just before everyone else does. Unreliable Narrator is hard to pull off, but I was obsessed. I was also obsessed with a trend that happened decades earlier, the open-ended short story. You might recall a story from grade school about a man who fell in love with a princess. He was caught by the king and put in an arena, forced to make a choice. Behind one door was a lion that would kill him. Behind the other, a woman that he would marry then and there and subsequently be exiled with. The princess knew which door held which thing, and he looked to her to make the decision for him. And that's it, the end. You don't know which door she chose for him. To be honest, that ending kinda sucks. I wanted to make an open-ended story that wasn't so sudden, like it was only open-ended because the author got tired and gave up 90% of the way through.
I married these three ideas into my story. The class loved it. But that was it. I rewrote it for my own edification, improving upon it by adding more details that could be taken to support either ending the reader chose to believe. And I rewrote it again. I submitted it to a contest, but needless to say it did not win. I didn't touch it again until now.
I decided to rewrite it again. I grounded it in history. Humanities Act of 1832? Easy. The disappearance of William Hare? Absolutely! London Burkers? Of course! I even found scanned documents from an asylum in England around that time! Although the story has changed, I feel it still tells the same scary tale it started out as, but this time there's more than a hint of truth to it. If you read my story and are curious about anything in it, chances are it was real and you will learn something about history. I even emulated the writing style and took painstaking steps to ensure that no language in the piece is something they wouldn't have said in the time and place. I learned more about the time period than I could ever put in the piece. Sure, I could have added that Dr. Parkinson was once on trial for "scheming" to kill King George using a popgun and a poison dart, but that wouldn't have been anything more than info-dropping or name-dropping. But I did add that the main character doubted the motives of the good doctor. When I had my critiquing group read it, they loved it! But it still wasn't good enough for me. I fixed the errors I saw, tied up the inconsistencies, and addressed the concerns of the critiquing group. Which, of course, required more research.
Now it is off to the Historical Novel Society for its 2014 Short Story Award. In May they will send out a long-list of 10 or so entries. These will all be published in ebook format! On July 1st, the winner will be announced and given $2000 in addition to having the work published. I don't know if I will win, and to be honest, $2000 is not much for the amount of work I put into the story. But I am proud of it nonetheless, even if it loses! I would consider the piece to be one of my best. If it doesn't win, I doubt it will be because the piece is poor, but rather that the judge didn't like the first 5 lines.
No, you will not be seeing it on this blog. In fact, it is doubtful I will post it even if I lose, like I am doing with the Dark Crystal Author Quest. For starters, it can be submitted to another contest, while the Dark Crystal story cannot. It also could be simply published. However, if I publish it here, first, chances of it getting picked up by someone else diminish. But do not fret! If you know me, I may let you read the piece if you are interested. If not, I will keep submitting it for publication or contest. And when it does get released, you can rest assured I will be posting about that.
It all started off with a movie my brother and I watched in college, The Haunting (released in 1999). It was a terrible movie. Everything in it was awful, from the acting to the plot to the terribly computer graphics that the director thought we would find scary. What's worse, it is a remake of a 1963 movie which is massively superior (according to rottentomatoes.com, 86% versus the remake's 17%). Even the parts that had the potential to be scary ended up as either simple gore or bad cinematography.
Afterwards, we discussed how terrible it was, and how we would have improved it. I think we learned a lot about suspense and how to really scare the pants off someone just by bouncing ideas back and forth. And those ideas started to form into a story. It was crude at first, but we knew it would have something to do with death. Not simply people dying, but what happens afterwards, to the bodies. It probably didn't help that we'd seen a documentary not long before about the history of autopsies.
And that was it. It went nowhere for a while. Then I had to write a short story for a creative writing class and this one instantly popped into my mind. I stayed up all night (literally) and wrote the rough draft of the piece in one go because I simply could not get over it. What I realized was that using an unreliable narrator offered more potential for misleading and scaring the reader. It could give the reader that "AHA!" moment, kind of like when you're watching a mystery and you solve it just before everyone else does. Unreliable Narrator is hard to pull off, but I was obsessed. I was also obsessed with a trend that happened decades earlier, the open-ended short story. You might recall a story from grade school about a man who fell in love with a princess. He was caught by the king and put in an arena, forced to make a choice. Behind one door was a lion that would kill him. Behind the other, a woman that he would marry then and there and subsequently be exiled with. The princess knew which door held which thing, and he looked to her to make the decision for him. And that's it, the end. You don't know which door she chose for him. To be honest, that ending kinda sucks. I wanted to make an open-ended story that wasn't so sudden, like it was only open-ended because the author got tired and gave up 90% of the way through.
I married these three ideas into my story. The class loved it. But that was it. I rewrote it for my own edification, improving upon it by adding more details that could be taken to support either ending the reader chose to believe. And I rewrote it again. I submitted it to a contest, but needless to say it did not win. I didn't touch it again until now.
I decided to rewrite it again. I grounded it in history. Humanities Act of 1832? Easy. The disappearance of William Hare? Absolutely! London Burkers? Of course! I even found scanned documents from an asylum in England around that time! Although the story has changed, I feel it still tells the same scary tale it started out as, but this time there's more than a hint of truth to it. If you read my story and are curious about anything in it, chances are it was real and you will learn something about history. I even emulated the writing style and took painstaking steps to ensure that no language in the piece is something they wouldn't have said in the time and place. I learned more about the time period than I could ever put in the piece. Sure, I could have added that Dr. Parkinson was once on trial for "scheming" to kill King George using a popgun and a poison dart, but that wouldn't have been anything more than info-dropping or name-dropping. But I did add that the main character doubted the motives of the good doctor. When I had my critiquing group read it, they loved it! But it still wasn't good enough for me. I fixed the errors I saw, tied up the inconsistencies, and addressed the concerns of the critiquing group. Which, of course, required more research.
Now it is off to the Historical Novel Society for its 2014 Short Story Award. In May they will send out a long-list of 10 or so entries. These will all be published in ebook format! On July 1st, the winner will be announced and given $2000 in addition to having the work published. I don't know if I will win, and to be honest, $2000 is not much for the amount of work I put into the story. But I am proud of it nonetheless, even if it loses! I would consider the piece to be one of my best. If it doesn't win, I doubt it will be because the piece is poor, but rather that the judge didn't like the first 5 lines.
No, you will not be seeing it on this blog. In fact, it is doubtful I will post it even if I lose, like I am doing with the Dark Crystal Author Quest. For starters, it can be submitted to another contest, while the Dark Crystal story cannot. It also could be simply published. However, if I publish it here, first, chances of it getting picked up by someone else diminish. But do not fret! If you know me, I may let you read the piece if you are interested. If not, I will keep submitting it for publication or contest. And when it does get released, you can rest assured I will be posting about that.
Friday, March 28, 2014
Ghost of the Crystal - Part 4
Kleo sat down beside Morra again and used a small
water skin to wet a piece of cloth.
She attended to Morra's arm with a smile. "I'm Kleo, from the Grottan clan. And that is Minn, a Dousan from the
Crystal Sea."
"I've never met either of your kind
before," Morra said as Kleo pulled a small bone needle from a pouch at her
side. She threaded the needle with
a bit of string and started patching up the tears in Morra's sleeve. All the while, Minn was busy in a
rucksack, pulling out supplies that he could spare and setting them on a
blanket.
"Well, we don't usually leave the caverns,"
Kleo said. "A week ago, I'd
never met a Dousan before, either.
I found him wandering on his own while I was gathering herbs. He told me he's the eldest son of his
village's matriarch, but got separated from his party when they entered the
Maze of Many. I took him out of
the maze by a shortcut and decided to help him until he found his clan."
Prril, as if upset that she had been left out of the
introductions, jumped into Morra's lap and pressed her head against the gelfling's
chin, lifting her pointed forelegs to do so. She yawned, revealing a mouth of very sharp teeth and two
tongues side-by-side. "And
what is this little one's name?" Morra asked and began to pet her.
"Prril.
She is my bond-kin," Minn said. He took his hands from his work to gesture over his chest as
he spoke.
"And how did you all meet?" Morra asked.
"We only met this morning," Tyrin said as
he walked around the clearing with Jag-Ben. "The Dark Wood has only a few trails through it, and
our paths crossed. It is better to
travel together, is it not?"
Morra nodded.
"Yes. It is. I used to travel with my younger brother
often, but now he is… missing. My
mother's body returned to Thra long ago.
So now I travel with my father.
We were heading to The Gathering with some traders and nobles. Before we knew it, one of the traders
was gone. No one knew anything had
happened until three of them had disappeared. We split up to look for them, but didn't get very far. One by one we disappeared. When I heard my father cry out, I ran
to him. He was hanging upside down
by a tree and there was a white figure with him. I hid. I could
see my father right through him.
It was the Hunter, I'm sure of it.
"I must have made a noise because he turned and
looked right at me. I ran, but he
cut me off. Everywhere I went, he
was there. It was like he was herding
me." She trembled again.
"When was this?" Jag-Ben asked.
"An hour, maybe two. Maybe I lost him.
I- I just don't know!" Morra said. Kleo put an arm around her and let them lean together. "Father is the only family I have
left," Morra murmured, looking away.
"Well, for tonight, we are your family,"
Kleo said.
A loud crack echoed through the woods. Everyone jumped. When they saw Tyrin cutting down a long branch
of blackwood from a nearby tree, they breathed a collective sigh of relief. The rest of the tree had recoiled from
the cut, bringing the wounded stump close to its trunk quickly and up out of
the gelfling's reach. Tyrin tested
the branch's strength by pushing his knee against the makeshift staff and
pressing his full weight into it. He
looked satisfied and pulled a small knife out of his rucksack to whittle away
at the tip. Only the sounds of the
woods' denizens accompanied him. He
had only just begun when he realized the others were staring at him. "What?"
Jag-Ben picked up what he thought was a small round
rock covered in moss. Instead, it
quivered in his hand and made a squealing noise when he threw it at Tyrin. The small woodland creature bounced off
his chest, gave a grunt of displeasure, and scurried away into the
underbrush. "Don't ya go
scaring th' others like that. If
there's someone out there, and I'm not saying there is, we're in danger enough
by having a fire. We don't need ta
be attracting any more attention."
"I want to go look for her father," Tyrin announced. He continued to whittle away until the
tip of the staff ended in a long, quill-like point of white. "If the Hunter followed her out
here, then he may still be alive.
Is anyone with me?"
The gravitas of the announcement struck the
group. Several moments passed with
only the light growl of the fire before Jag-Ben spoke up. "I'm in. Ya'll need the company. Besides, I've dealt with th' Spriton
before."
Minn shook his head and indicated the surrounding
camp with his hands. "I will
stay. Guard."
"No!"
Morra pulled herself to her feet.
"You don't know me, you don't know my father! I can't let you risk yourselves!"
"Shall I make you a weapon?" Tyrin asked
Jag-Ben, despite Morra's insistence.
She pulled on his spear in protest. The two found themselves struggling over it. Kleo was trying to calm them down, and
even Jag-Ben started getting involved.
"Why are you being so stubborn?" Morra
complained.
"Why won't you let us help you?" Tyrin
countered.
Minn waved his hands in urgent fashion. "Quiet!" he commanded, but
his soft voice was overwhelmed by the others. No matter how loud he tried to be, he could not garner their
attention. It was Prril's piercing
cry as her tail was pulled that brought the group to silence. "Sorry, girl," Minn
apologized as he straightened out her tail and petted her along the back in
recompense. Prril did not look
happy with him. She padded towards
the fire to recover her wounded pride, her head high and her tail swaying
indignantly. But as she lowered
herself to the ground, Prril stopped short and swiveled her ears forward in
alarm.
"What is wrong, Minn?" Kleo asked.
"Listen." The group was quiet, expecting him to speak, but instead he
motioned to the trees.
"I don't hear anything," Tyrin said, then widened
his eyes in fear. "The woods
are silent." He tried to
recall just when the sounds of life had ceased, but couldn't. Everyone was on high alert. Morra wrested the spear from Tyrin's
grip and brandished it towards the woods.
They all moved back towards the fire to gather their
things quietly.
"Hahhhh." No one
could tell where the sound came from, but it sent shivers through them. "Hahhhh… hahhhh…" It sounded excited, like someone was on the verge of laughter. Morra 's wings fanned out and she
pushed her back against Tyrin.
[ Link to Part 3 ] -- [ Link to Part 5 ]
[ Link to Part 3 ] -- [ Link to Part 5 ]
Wednesday, March 26, 2014
A short parable - work in progress
I decided I wanted to try to write a parable. The only problem is, knowing how parables in the bible are written, I'm not sure what the moral should be. So it is currently a work in progress. It might worm its way into a novel of mine... it might not. I don't know yet. Tell me what you think.
Two vassals were summoned to meet their lord for the first time to see which of the two would be given a place in the lord's court. The first vassal showed up to the lord's house wearing his best fineries, clothes which most men could not afford, to show how successful he had been in working the land that had been given to him. The second vassal, however, gave away his clothes to the poor and arrived wearing only simple rags that were soiled by the long journey. The lord rebuked him, saying, "Why do you insult me by appearing before my court in such fashion?" The second vassal said, "I do not mean insult, my lord. I thought it would be better to give the fruit of my labors away to the people who live under your rule than to spend it on fine clothing." The lord was pleased and turned away the first vassal, then gave his own coat to the second and invited him into his court.
Well, what do you think? Of course, it could also be about a feud between the two vassals, or the lord may have ended up being one of the people the second vassal gave his belongings to. Or perhaps the first vassal pleas his case, saying that he wanted to represent the wealth of the lord's land. Any thoughts?
Two vassals were summoned to meet their lord for the first time to see which of the two would be given a place in the lord's court. The first vassal showed up to the lord's house wearing his best fineries, clothes which most men could not afford, to show how successful he had been in working the land that had been given to him. The second vassal, however, gave away his clothes to the poor and arrived wearing only simple rags that were soiled by the long journey. The lord rebuked him, saying, "Why do you insult me by appearing before my court in such fashion?" The second vassal said, "I do not mean insult, my lord. I thought it would be better to give the fruit of my labors away to the people who live under your rule than to spend it on fine clothing." The lord was pleased and turned away the first vassal, then gave his own coat to the second and invited him into his court.
Well, what do you think? Of course, it could also be about a feud between the two vassals, or the lord may have ended up being one of the people the second vassal gave his belongings to. Or perhaps the first vassal pleas his case, saying that he wanted to represent the wealth of the lord's land. Any thoughts?
Monday, March 24, 2014
Kingdom of Love
It's that time, again. Another religious post. Again, if you do not care to read my religious post, feel free to skip on to Part 4 of The Dark Crystal, where we'll meet the antagonist. I am also working on other short stories, so in a month or so those will return as well! I am going to be submitting a piece to yet another Ultreia INK Write Night, so if you all think one of my short stories is outstanding (or at least better than the others), please leave a comment below and let me know! Now onto the religious post! I promise they will be short.
We had two sermons these past two weeks that got me thinking, and I just wanted to share my insights. The first is about The Lord's Prayer.
Every good Christian should know at least some version of the Lord's Prayer. All of them include (and are quite possibly the quintessential examples of) the 4 tenants of prayer: Adoration, Contrition, Thanksgiving, and Supplication (ACTS). If you are not familiar with these terms, I will break them down. Adoration is praising God ("hallowed be thy name!") Contrition is expressing sorrow and asking forgiveness of sins ("forgive us our trespasses"). Thanksgiving is... well, giving thanks (OK, I'll admit, this one is hard to find in here, but it is feasible that "as we forgive those who trespass against us" is thanking God for that opportunity). Supplication is asking God for things ("Give us this day our daily bread"). This is the one I grew up with:
Our father, who art in Heaven, hallowed be thy name. Thy Kingdom come*, thy will be done, on Earth as it is in Heaven. Give us this day our daily bread and forgive our trespasses as we forgive those who trespass against us. And lead us not into temptation, but deliver us from evil. For thine is the kingdom and the power and the glory forever and ever. Amen.
You may remember this from Matthew 6:9-13 or Luke 11:2-4. This version includes the added doxology at the end, though my days in Catholic school got me used to eliminating that final statement. And I never did understand why there is such a fight over the use of "trespasses" or "debtors." Personally, I think Luke's "sin" is best.
But I digress. Time to explain that asterisk. It really does bug me when I see one that has no accompanying explanation.
* Thy Kingdom Come. This is often called the "Second Petition." But what does this mean? Are we asking God's Kingdom to come down to Earth, much like Zion in the Revelation to John? Is it a plea to allow the peace and understanding of God to come into our daily lives? Perhaps it is one of these, perhaps it is both. Or perhaps this is not some passive thing. In all my years, I've always assumed (and gotten the impression from others) that this is part of supplication, asking God for something. But what if this is adoration? What if I am proclaiming it, not as something I wish to ask of God, but as something I wish to announce to God! "Thy Kingdom Come" is a call to action. After all, this is the prayer Jesus gave us as an example of how we should pray to God. We have also been told that faith without action is nothing. So perhaps the same is true for prayer. We shouldn't simply pray for God to make changes in our lives and then sit back and wait. We need to then take the initiative and do it! Increasingly, God's miracles, God's acts, are not things that happen to us, but things that we make happen, things that happen through us.
-----
This brings me to the second part of this post. This week we had a guest lecturer, Rev. Scott Gunn of Forward Movement. This is the group that makes Forward Day By Day, Lenten Madness (my money is on J.S. Bach, but I'm secretly hoping for St. John of the Cross), and countless other books and curricula for the Anglican Communion. I liked listening to him a lot and I may see if I can write some of the meditations for Forward Day By Day, if they will let a talentless blogger with an audience of 60 in.
In his sermon today, he spoke of God's love bringing happiness. And that, as per the norm, got me thinking. First of all, I want to point out that there is a difference between "happiness" and "joy." Joy is more a state of happiness, an everlasting happiness. It is the opposite of despair, which is like a state of extreme sadness and despondency. Happiness, that elusive emotion we all strive for, can come from many things, but most of those things boil down to some form of love. This could be love of money or nice things (which would result in a shallow, short happiness), love of a friend (which would result in a much greater happiness), or even love of a spouse or child (which can lead to a deep, profound happiness). But what happens when that love is taken away? Things break. People move away and die. Are you really "loving" that person any longer if they are dead? To love someone means you put their needs first, but dead people have no needs, beyond perhaps prayer. I know this can be hard to understand or hear. And on the other side, it is nearly impossible to feel and see the love of someone who is dead; they do not interact with us excepting in cases of rare miracles. The longer that person is gone, the more out of mind they will become, which is all part of the healing process. They may always be a part of you and change who you are, but they are still gone. So, in a sense, the happiness that comes from love is not permanent.
God's love, however, which is called "agape," is permanent. It is knowing this love that can cause true Joy. But how do we sense it or know it? It's not like we can just walk up to God and get a hug, is it? Well, there is something to be said about sharing a hug with a stranger, or even a friend. It means even more to listen to someone in distress, to share a meal with a homeless man, to be a friend to those in jail who have no friends, or to give your coat to someone who has none. To know God's love means to express it, to live it. It is not the same as the other types of love, which can be appreciated without action on our part. To appreciate agape (which, I'm sure many a theologian will tell me is actually impossible), we have to share our love with others. For if God is love, then sharing love with all those around us is sharing God's love and sharing the joy that can come with it.
We had two sermons these past two weeks that got me thinking, and I just wanted to share my insights. The first is about The Lord's Prayer.
Every good Christian should know at least some version of the Lord's Prayer. All of them include (and are quite possibly the quintessential examples of) the 4 tenants of prayer: Adoration, Contrition, Thanksgiving, and Supplication (ACTS). If you are not familiar with these terms, I will break them down. Adoration is praising God ("hallowed be thy name!") Contrition is expressing sorrow and asking forgiveness of sins ("forgive us our trespasses"). Thanksgiving is... well, giving thanks (OK, I'll admit, this one is hard to find in here, but it is feasible that "as we forgive those who trespass against us" is thanking God for that opportunity). Supplication is asking God for things ("Give us this day our daily bread"). This is the one I grew up with:
Our father, who art in Heaven, hallowed be thy name. Thy Kingdom come*, thy will be done, on Earth as it is in Heaven. Give us this day our daily bread and forgive our trespasses as we forgive those who trespass against us. And lead us not into temptation, but deliver us from evil. For thine is the kingdom and the power and the glory forever and ever. Amen.
You may remember this from Matthew 6:9-13 or Luke 11:2-4. This version includes the added doxology at the end, though my days in Catholic school got me used to eliminating that final statement. And I never did understand why there is such a fight over the use of "trespasses" or "debtors." Personally, I think Luke's "sin" is best.
But I digress. Time to explain that asterisk. It really does bug me when I see one that has no accompanying explanation.
* Thy Kingdom Come. This is often called the "Second Petition." But what does this mean? Are we asking God's Kingdom to come down to Earth, much like Zion in the Revelation to John? Is it a plea to allow the peace and understanding of God to come into our daily lives? Perhaps it is one of these, perhaps it is both. Or perhaps this is not some passive thing. In all my years, I've always assumed (and gotten the impression from others) that this is part of supplication, asking God for something. But what if this is adoration? What if I am proclaiming it, not as something I wish to ask of God, but as something I wish to announce to God! "Thy Kingdom Come" is a call to action. After all, this is the prayer Jesus gave us as an example of how we should pray to God. We have also been told that faith without action is nothing. So perhaps the same is true for prayer. We shouldn't simply pray for God to make changes in our lives and then sit back and wait. We need to then take the initiative and do it! Increasingly, God's miracles, God's acts, are not things that happen to us, but things that we make happen, things that happen through us.
-----
This brings me to the second part of this post. This week we had a guest lecturer, Rev. Scott Gunn of Forward Movement. This is the group that makes Forward Day By Day, Lenten Madness (my money is on J.S. Bach, but I'm secretly hoping for St. John of the Cross), and countless other books and curricula for the Anglican Communion. I liked listening to him a lot and I may see if I can write some of the meditations for Forward Day By Day, if they will let a talentless blogger with an audience of 60 in.
In his sermon today, he spoke of God's love bringing happiness. And that, as per the norm, got me thinking. First of all, I want to point out that there is a difference between "happiness" and "joy." Joy is more a state of happiness, an everlasting happiness. It is the opposite of despair, which is like a state of extreme sadness and despondency. Happiness, that elusive emotion we all strive for, can come from many things, but most of those things boil down to some form of love. This could be love of money or nice things (which would result in a shallow, short happiness), love of a friend (which would result in a much greater happiness), or even love of a spouse or child (which can lead to a deep, profound happiness). But what happens when that love is taken away? Things break. People move away and die. Are you really "loving" that person any longer if they are dead? To love someone means you put their needs first, but dead people have no needs, beyond perhaps prayer. I know this can be hard to understand or hear. And on the other side, it is nearly impossible to feel and see the love of someone who is dead; they do not interact with us excepting in cases of rare miracles. The longer that person is gone, the more out of mind they will become, which is all part of the healing process. They may always be a part of you and change who you are, but they are still gone. So, in a sense, the happiness that comes from love is not permanent.
God's love, however, which is called "agape," is permanent. It is knowing this love that can cause true Joy. But how do we sense it or know it? It's not like we can just walk up to God and get a hug, is it? Well, there is something to be said about sharing a hug with a stranger, or even a friend. It means even more to listen to someone in distress, to share a meal with a homeless man, to be a friend to those in jail who have no friends, or to give your coat to someone who has none. To know God's love means to express it, to live it. It is not the same as the other types of love, which can be appreciated without action on our part. To appreciate agape (which, I'm sure many a theologian will tell me is actually impossible), we have to share our love with others. For if God is love, then sharing love with all those around us is sharing God's love and sharing the joy that can come with it.
Saturday, March 22, 2014
Ghost of the Crystal - Part 3
"Over there! It's a gelfling!" Kleo cried and quickly rose to her
feet. No sooner had she reached
the edge of the clearing than a girl with long, braided hair of silver broke
out of the darkness and into the warm light. Her beautiful white and green garments had been soiled by
mud and torn by the underbrush.
The intricate braiding in her hair was falling into chaos as a tangle of
loose strands fell around her face and shoulders. Behind her, a pair of gossamer wings clung tightly to her
back. She fell into Kleo's arms,
trembling. "Shhh, it's all
right. You're safe here. Come, sit by the cookfire with
us."
The girl looked up. Her hazel eyes darted around the clearing nervously. They could see that her pale face was
beset with fear. The closer she
got to the fire, however, the more its light and warmth calmed her.
"What happened? Are you all right?" Tyrin asked worriedly when the girl
was seated near the fire. He pulled
a water skin off his shoulder and knelt down beside her to offer it. Likewise, Kleo took the blanket off her
shoulders and wrapped it around the girl.
Kleo's small, dark wings fluttered for a moment when they were freed.
"Th-they're all gone," the stranger said. She clutched the water skin with both
hands, but did not drink from it. "It was so fast."
"Who's gone, girl?" Jag-Ben asked while
looking around the woods in worry.
Minn put another log on the fire and stoked it into a
lively, dancing flame. In the
bright light, they could see red, swollen scratches ran along her left arm where
her sleeve was left in tatters.
She also had a small, light blue tattoo of an inverted triangle on her
cheek. Kleo sat behind her and
worked at the braid in her hair, unraveling it.
"My convoy. I can't believe they're gone." As the girl spoke, Prril jumped off
Minn's shoulder and walked up to her to sniff at her hand with blunted
snout. It didn't take long for Prril
to steal a scratch or two.
"Convoy?" Tyrin asked. "Are you lost?" She shook her head. "Who are you? Where are you from? Are you also heading towards The
Gathering?" Kleo gave him a
stern glance, wordlessly telling him to not hound their guest with questions.
Regardless, the girl nodded. "I'm Morra. I was supposed to represent the Vapra
Clan at the Gathering, but now I don't think I'll make it. It's after me, I'm sure it is." The fear in her eyes returned. "I shouldn't be here. We're not safe. It's still out there." Her gaze darted about as if she could
hear things in the woods the others could not.
Jag-Ben picked up a stick and waved it about in front
of him. "Hmm. 'It' was
probably some o' the Spriton Clan.
We're in their woods, and they dunna take kindly to visitors," he
said, stamping his thick, green boots on the ground defiantly.
"It wasn't a gelfling. We're all in danger here," Morra said and stood up to
leave. Tyrin took her by the hand.
"What's out there? If you're too scared to say it, then show me through dreamfast,"
he said. She jerked her hand out
of his roughly and looked at him with abject horror.
"It was The Hunter."
"Bah!
He's just a myth!" Jag-Ben grunted. "The Spriton are known for their scare tactics. I'm sure what you saw was a just ruse
meant to frighten. If they mistook
your people for their rivals, the Woodland–"
"No!
I saw him with my own eyes!
No gelfling is that tall, that fast. He had four arms, a bent back, and
holes, holes for eyes!" Morra declared.
"It had to be a trick!" Jag-Ben turned away with a grunt. Kleo walked up to him and put her dark
hand on his shoulder.
"It's all right, Jag-Ben," she said and
smiled. "I know it can be
hard to hear what you believe isn't true, but I'm sure she saw something out
there. Whatever it was, maybe we
can help."
Morra drew her arms around herself. "It was no trick! He saw me. Those eyes, they didn't look at me, they looked into
me, through me. And the way he wheezed. It wasn't like he was tired, but
excited."
"Here, sit down, warm yourself. You shouldn't go back out cold and
hungry," Tyrin said, leading her to a seat by the fire. Prril cried piteously at Morra and
rubbed against her legs, prompting a brief smile from the girl. Minn pulled the charred piece of meat
from the spit over the fire, then wrapped it in a leaf and handed it to her.
"Thank you," she said and brushed a strand
of white hair from her face before eating.
"All we have is given to us by Thra; it would be
wrong for us to keep things for ourselves. I am Tyrin. I've
traveled from the Silver Sea in the North to see the land and its people. When I heard of the Gathering, I had to
come see it for myself. To think
the Arbitrator herself has called for all the clans to congregate. I've heard nothing on what it is all
about."
"The Silver Sea? You've come a long way, then. Did you cross the Claw Mountain?"
He shook his head firmly. "I might love adventure, but I am not that foolhardy. No, I came through the grasslands and
the Swamp of Sog. You've, uh, met
Jag-Ben. That's where I ran into
him. He's gruff, but has a good
heart, and no one is more dependable," Tyrin said.
Morra appeared more relaxed now and nodded to
Jag-Ben, who answered with a humph!
of mild protest.
"Yeah, well there's still no Hunter," he
retorted. "But, if there's
something out there, we'll keep ya safe.
I've gotten that lad out o' more than a few scrapes in the last month,
haven't I?" Jag-Ben said and gave Tyrin a knowing smirk. "I've traveled with him to keep
him out of trouble!"
[ Link to Part 2 ] -- [ Link to Part 4 ]
[ Link to Part 2 ] -- [ Link to Part 4 ]
Thursday, March 13, 2014
Ghost of the Crystal - Part 2
Ghost of the Crystal part 2
"SNAP!"
Tyrin clapped his weathered hands together. The sharp sound was followed by a
moment of silence; even the dull thrum of insects paused for breath. The three faces of his fellow
gelflings, all turned towards him in entrancement, made Tyrin crack a
smile. If there was anything
members of the Sifa clan loved more than exploration, it was regaling others
with tales of adventure. Tyrin was
no exception.
"I could smell the dendrie's rotting breath as
its jaws closed a hair from my face.
Luckily for me, Jag-Ben had heard our struggle and grabbed the beast by
the tail. They fought and
wrestled, but in the end, the beast succumbed to Jag-Ben's strength."
One of the mesmerized gelflings erupted into a
hearty, convivial laughter, holding one thick, hairy hand to his round
belly. He had a hint of deep green
about his features that made him appear wilder than the others. "That's quite the tale,
Tyrin! I hardly recognized meself
in the story," Jag-Ben said after his laughter died down.
"Then it's true?" one of the others
asked. Her slight build was framed
in a dark tunic and snuggled into a blanket near the fire. The only thing darker than her skin
were her pitch-black eyes, wide with wonder.
"Oh, o' course it's true, Kleo," Jag-Ben
told her. "Only this particular
dendrie was about as long as yer forearm, from snout to tip."
"Can't fault me for embellishing a little,"
Tyrin said as he sat down on a log.
He grabbed the last skewer from over the fire and inspected the
indistinct char on it that had once been meat. "Stories are always more interesting than reality. I'm sure we will all hear our fill of
fantastic tales once we are at The Gathering. I, for one, would love to hear what tales a warrior like one
of the Spriton would share."
"If they dunna kill us before we leave their forest,"
Jag-Ben warned and trained his eyes on the canopy.
"The Gathering is tomorrow and so near their
lands. There's never been anything
like it before. I doubt even they
would attack a traveler right now," Tyrin said.
"I'm not so sure. They're a violent bunch, them Spritons. Very territorial."
A shiver ran through Kleo as she, too, began to peer
about the clearing with her dark gaze.
Tyrin put the skewer, meat and all, back over the fire. "How about some music, Minn?" He nodded at their final companion
The third gelfling nodded and began to play an
exotic, wavering melody on the instrument that sat in his lap. It was made from a string that had been
stretched along a bent rod. A
gourd was attached at one end with a hole that had been bored into it. With one hand he manipulated the
string, the other struck it repeatedly with a slender shaft. As he played, he watched the fire from
behind pale fabrics that covered his body and face, leaving room only for his
eyes. A sparkling cloak of fine
crystalweave had been wrapped around him to keep him warm against the night
air. Curled up at his feet was a
small creature, hardly more than a gelfling's leg in length, with a slender
body and a tail nearly twice as long.
Its pointed ears flicked about whenever a certain note was played, but
its eyes remained closed.
"Ya know, there are some stories that dunna need
embellishing," Jag-Ben said. He
stood up and wandered about the fire.
"There is a tale among us Drenchen of a spirit what likes to eat
young gelflings. None has ever
seen this ghost, this Trapper, and lived ta tell of it. But sometimes at night, we can hear him
gnawing at the bones of 'is latest kill." He waved his hairy hands over the fire and lurched towards
Kleo with a guttural growl, who squealed and pressed up against Minn. Minn's hand slipped and struck an
off-note before he ceased the music.
Although he didn't seem to mind the girl against his side, the creature
at his feet flattened both ears in mild annoyance and thumped her tail on his
leg.
"We have a similar story," Tyrin said. "Only, we call him 'The
Hunter.'"
"The Hunter is in our legends, too," Minn
said in a sing-song voice. As he
spoke, his hands formed eldritch symbols in the air.
Tyrin swung a gemshorn off his shoulder. It was made from the ribbed tip of a
mounder horn. His clothing was
nearly as worn as his hands. Each
loose stitch, knick, and faded patch told the story of days traveling beneath
the three suns. Even the rich color
of the old horn had been bleached almost completely out of the instrument. "What do your people tell of this
spirit?" he asked, then put the wide, blocked end of the gemshorn to his
lips and played a simple, yet haunting melody to set the mood.
"Well, we know the Trapper is tall and heavy,"
Jag-Ben said as he paced around, "from the size o' the footprints and
trails he leaves behind."
"Footprints?" asked Kleo, perking up
some. "Spirits don't leave
footprints."
"Well, I've never seen the footprints meself. I
believe it ta be just a mother's tale ta frighten 'er children."
"What else do they say?" Minn asked with a
flourish of his hand and settled against Kleo. Jag-Ben was only too happy to continue.
"Legend 'as it that the only sound ya can hear
from the ghost is heavy breathing.
But by the time ya hear it, it's too late. No matter where ya go, ya'll end up in a trap. I 'ad a cousin who said she heard it
once. She was with some friends
collecting reeds. Before they knew
it, half o' them were gone. And
then she heard the breathing right behind her. She ran and-"
The creature at Minn's feet pulled its ears back and
growled. Minn ran his hand along
her back. "What's wrong,
Prril? Is something out
there?" A moment later, a
loud crack sounded in the woods. Tyrin lowered the gemshorn as the gelflings all looked around
the woods. Another crack, closer
than the first, narrowed down their search. Prril moved in a graceful flash of sandy fur, balancing on
her master's shoulder as she bared her teeth and arched her body. After a third snap, they could all hear
footsteps crunching along the ground in haste.
[ Link to Part 1 ] -- [ Link to Part 3 ]
[ Link to Part 1 ] -- [ Link to Part 3 ]
Friday, March 7, 2014
Ghost of the Crystal - Part 1
This is my entry to the Dark Crystal Author Quest. I decided to split it up into several parts. To see it all, go to the "Dark Crystal" label on my sidebar.
Ghost of the Crystal part 1
Branches and twigs whipped against Tyrin as he rushed
through the woods, tearing at his weathered clothing. These strange, dark woods were filled with dangers, but he
ignored them. He ignored the bite
of the cold night air, the sting of the thorns that brushed against his shins
and arms. He ignored the nets and
ropes that would sometimes spring up at his heels, each one threatening to end
his hasty journey. Tyrin instead
kept his mind focused on where he was going. Every sense was at its peak. They had to be to notice the traps that lay before him. Although the screams of his companion
had died away, he didn’t hesitate or try to find his bearings; that would only
bring disaster. All he could do
was head towards where he remembered her voice calling from.
The darkness of the woods lifted in an instant as he
burst into a large clearing.
Before him lay the only sight that would give him pause: Morra. She hung doubled-over from the limb of
a magnificent, gnarled tree. Had
it not been for her silver hair, Tyrin would have mistaken her for one of the
tree's many seed pods that were suspended around the clearing. A rope was tied around her mid-section,
binding her arms to her sides. She
dangled above a slender spear made from the blackest of woods. It was planted in the ground with its
fang-sharp tip facing the girl.
Tyrin instantly recognized the makeshift weapon; he had fashioned it
himself. However, this trap was
certainly not one set by gelfling hands.
After a moment of inspection, Tyrin heaved a sigh of
relief and walked towards the girl and the spear. When she heard his footfalls, Morra's ear twitched. She lifted her head, brow wrinkled with
lines of worry.
"Tyrin!" she said in a hushed tone.
"Morra!
You're all right! I was so
worried," he said, speaking louder than he meant to. "Is he nearby?"
"I don't think so. Tyrin, don't come any closer! It's a trap!"
Tyrin chuckled.
"Well, I can see that.
Now give me a moment and I'll have you out of there," he said. "First I need to get rid of this
thing…" He stepped up the
spear and reached out to grab it with his strong, callused fingers.
"No!
You don't understand! It's
a trap for you!"
Her words were too late. He had already pulled the spear free. The ground gave way under his
feet. The look of terror on
Morra's face grew further away as he fell into shadow.
Tyrin gripped the spear tightly. He had only met Morra that night, and
already he had seen that expression of dread on her face twice. Broken bits of wooden lattice tumbled
about him. When he looked down,
Tyrin saw nothing but blackness.
Instinct kicked in and he tried to pull the spear down to give him
something to hold onto. Instead,
the ends lodged themselves into the soft, moist dirt and held fast. Tyrin nearly lost his grip when it jolted
to a halt. One hand slipped free,
but he managed to find purchase in the dirt wall with his foot and push up to
the spear, then wrapped his arms and legs around it. The dirt settled.
His eyes adjusted. He was
trapped near the bottom of a narrow pit.
"Tyrin?
Are you all right?" Morra called. The urgency in her voice had changed to concern.
"I think so. I can't believe I fell for such an obvious trick."
Tears welled in Morra's eyes. "Tyrin, I'm so sorry. I didn't want anything bad to happen to
anyone. I should have just let him have me."
"Don't say that. As long as we're still alive, we have to keep trying, to
keep fighting. I think I can see
the bottom, now. It's not
far. I'm going to try to jump for
it." He let himself hang by
his arms and swung his legs back and forth. Tyrin let go, throwing himself at the curved wall of the pit. His tough hands scrabbled at the dirt
and slowed his fall enough so that he landed on the earthen ground without
injury. "I made it!"
As he wiped the dirt from his hands, Tyrin took in
his surroundings. The ground was
littered with bits of broken wood that had once made up the trap he had
triggered. The dirt walls were
moist and free of roots or handholds.
He leaned his back against the wall and sighed. "Now what? I can't reach the spear. There's no way out. How did I find myself in this situation?"
Morra clenched her jaw through the tears. "Tyrin, don't you dare give up
like that," she said sternly.
"You just told me that we had to keep fighting, and you were
right. We just need a plan. Can you climb at all?"
"It's too wet and slippery. There's some wood down here. Maybe I can use it." Tyrin put his mind to escaping and
gathered up some lengths of wood.
He tore his sleeves off and ripped them into strips, which he used to
bind the wood into a pole. "I
don't know if this is going to work…" he said as the pole grew longer with
each addition. When he leaned it
up against the side and tested its strength, it held steady. Tyrin grinned and started climbing up
the pole.
"Morra, it's working! Morra? What's
that light?" He fell silent
just as he reached the spear. A
deep, menacing breath echoed down the into the pit, making Tyrin's hair stand
on end.
"Hhahhh… Thought you could get away?" The voice was raspy, almost like a
breathy growl, and deep. Before
Tyrin could react, a thin, translucent arm reached into the pit. It grabbed the pole and twisted with
immense strength.
[ Link to Part 2 ]
[ Link to Part 2 ]
Thursday, March 6, 2014
Nightmare Fuel
I had a nightmare last night. Well, a series of them. I do not often have nightmares. I know this because I remember a large number of dreams I
have. At least for a good number of hours. Only in looking back on this
dream was I able to really determine what was going on.
This nightmare was what I would call a "meta
dream." That means it was
aware of the fact that it was a dream, but I wasn't. At least not at first.
Similar to a lucid dream but the DREAM had the lucid
part. It started out as a normal
dream, I believe my daughter was in it.
But at some point she was taken away… and then bad things started to
happen. It was almost like a home
invasion, but the invader was not human.
It was too thin. too gaunt, too strong. Its face was like a mask and the rest of it was black. And it started to torture me. I was tied down. I was thrashing my head from side to
side. When I finally looked next
to me, I saw a disturbing figure, almost human but with red stripes against its
white face. The only problem was…
I had already woken up.
I was indeed awake when I saw that figure, and I remember
calling for help. I don't know if
I actually said anything or if that was in my mind. It was meant to be a shout, but what I heard, which could
have been internal, was a whimper.
I couldn't move my arms, only my head. And I was worried that it would be going for my
daughter. It took a few seconds
before I was finally able to move again, and the figure vanished like the dream
it was. It had been lying next to
me one moment, looking disfigured and torn open, and then it was all a
memory… Of course, when I went back
to sleep, it continued. At this
point, the first figure, the thin one, was taunting me. It knew I was dreaming, that I was
asleep, and that I could do nothing about it. I didn't get a very restful sleep last night.
I believe I just had my first instance of sleep paralysis. I was likely awoken
during my REM cycle, which is when you dream. The brain has a
mechanism that paralyzes the body during dreams so you don't actually act
things out. Sometimes, when you
are suddenly awoken, this mechanism can be slow to turn off… but it can also cause very realistic
and terrifying hallucinations. Strangely,
I did some research on this a few weeks ago, specifically about the
"hag" phenomenon.
When I look back, I can see some things that would have
triggered this. The first is that
I went to bed late last night. I
was a bit depressed at failing to be even mentioned in the Dark Crystal
contest. When I get depressed, I
tend to lose the desire to sleep or eat.
I also had seen an episode of Star Trek: The Next Generation where Riker
and other crew members go through the classic "alien abduction"
scenario. And that night, just as
I was heading to bed, I heard a strange and disturbing sound that made me worry
that someone was breaking in. It's
a big house, and with three cats such sounds occur from time to time. I fell asleep while intently listening
for footsteps, breathing, floor creaking, what have you. My mind was going over what would
happen, if I would be able to get to Addy in time, or if the intruder would
even think to look in her hiding spot.
It was prime nightmare material, I tell you.
I hope I don't have another episode. When you find yourself unable to move
and staring at something that should not
exist, when your daughter is threatened and you can do nothing about it… it is enough to make a guy not want to sleep
again.
Wednesday, March 5, 2014
Dark Crystal
Well, it's that time. The results of the Dark Crystal Author Quest are out. And...
I am not in the top 5. Not even the top 25. :( I have to admit, I thought my story was better than that. I put plenty into it, and it's hard knowing that all that work can go nowhere. I don't have the rights to write in that world. Frankly, the term "fan-fiction" does not sit well with me. Of course I should congratulate all those writers who did make it into the top 25, but to be honest that is a hard thing to do for me. Maybe I'm selfish after all. I know, I should read some of the other entries to see what they did and how so I can improve my own writing, but not right now. I've also lost my password for the dark crystal forums and it will not let me reset it...
I think the hardest thing for me is knowing that I'm nothing special. That being said, this week's short story will in fact be my entry. Someone may as well read it. Critiquing is appreciated.
I am not in the top 5. Not even the top 25. :( I have to admit, I thought my story was better than that. I put plenty into it, and it's hard knowing that all that work can go nowhere. I don't have the rights to write in that world. Frankly, the term "fan-fiction" does not sit well with me. Of course I should congratulate all those writers who did make it into the top 25, but to be honest that is a hard thing to do for me. Maybe I'm selfish after all. I know, I should read some of the other entries to see what they did and how so I can improve my own writing, but not right now. I've also lost my password for the dark crystal forums and it will not let me reset it...
I think the hardest thing for me is knowing that I'm nothing special. That being said, this week's short story will in fact be my entry. Someone may as well read it. Critiquing is appreciated.
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